OperaV1, Main, Exploration, bibRecord, 000B38

Thoughts on Rigoletto

Identifieur interne : 000B38 ( Main/Exploration ); précédent : 000B37; suivant : 000B39

Thoughts on Rigoletto

Auteurs : Francis Grier [Royaume-Uni]

Source :

The International Journal of Psychoanalysis [ 0020-7578 ] ; 2011-12.

RBID : ISTEX:DB1C8037E2535B6CAC0B199559E4758A572B19A9

Descripteurs français

Pascal (Inist)
- Art dramatique, Homme, Identification projective, Interprétation psychanalytique, Opéra de Giuseppe Verdi, Perversion, Psychanalyse appliquée.
Wicri :
- topic : Homme.

English descriptors

KwdEn :
- Applied psychoanalysis, Human, Humans, Masochism, Music, Perversion, Projection, Projective identification, Psychoanalytic Interpretation, Psychoanalytic interpretation, Theatre art, perversion, projective identification.
MESH :
- Humans, Masochism, Music, Projection, Psychoanalytic Interpretation.

Abstract

The author discusses the traditional interpretations of the principal dramatis personae in Verdi’s Rigoletto, suggesting that the opera expresses the composer’s unconscious but highly perceptive and intuitive exploration of: (i) paranoid and perverse father–daughter oedipal dynamics as enacted between Rigoletto and Gilda; (ii) a folie‐à‐deux sado‐masochistic relationship between Rigoletto and the Duke; (iii) the avoidance of conscious guilt and responsibility for Rigoletto’s part in the tragedy through the rejection of insight achieved via massive projection, an addiction to mania, and perversion. In this respect Rigoletto is compared with King Lear. Some technical aspects of Verdi’s compositional style employed to portray the contrasting characters of the protagonists are analysed. The paper also touches on Verdi’s own possible unconscious (as well as conscious) investment in this particular opera, noting similarities between Verdi’s portrait of the tragic, hunchback jester and his own self‐depiction. The author notes similarities and contrasts between his analysis of the opera and recent papers byHudson (1992),Tarnopolsky (1995)andBergstein (2003)on the same subject.

Url:

https://api.istex.fr/document/DB1C8037E2535B6CAC0B199559E4758A572B19A9/fulltext/pdf

DOI: 10.1111/j.1745-8315.2010.00394.x

Affiliations:

Royaume-Uni

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<front><div type="abstract" xml:lang="en">The author discusses the traditional interpretations of the principal dramatis personae in Verdi’s Rigoletto, suggesting that the opera expresses the composer’s unconscious but highly perceptive and intuitive exploration of: (i) paranoid and perverse father–daughter oedipal dynamics as enacted between Rigoletto and Gilda; (ii) a folie‐à‐deux sado‐masochistic relationship between Rigoletto and the Duke; (iii) the avoidance of conscious guilt and responsibility for Rigoletto’s part in the tragedy through the rejection of insight achieved via massive projection, an addiction to mania, and perversion. In this respect Rigoletto is compared with King Lear. Some technical aspects of Verdi’s compositional style employed to portray the contrasting characters of the protagonists are analysed. The paper also touches on Verdi’s own possible unconscious (as well as conscious) investment in this particular opera, noting similarities between Verdi’s portrait of the tragic, hunchback jester and his own self‐depiction. The author notes similarities and contrasts between his analysis of the opera and recent papers byHudson (1992),Tarnopolsky (1995)andBergstein (2003)on the same subject.</div>
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Serveur d'exploration sur l'opéra

Thoughts on Rigoletto

Thoughts on Rigoletto

Source :

Descripteurs français

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri

	Serveur d'exploration sur l'opéra
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